A true story about a Mafia boss, Tommaso Buscetta, whose testimony at the largest anti-Mafia trial in history allowed the conviction of hundreds of mobsters.

In the early 1980’s, an all-out war rages between Sicilian mafia bosses over the heroin trade. Tommaso Buscetta, a made man, flees to hide out in Brazil. Back home, scores are being settled and Buscetta watches from afar as his sons and brother are killed in Palermo, knowing he may be next. Arrested and extradited to Italy by the Brazilian police, Buscetta makes a decision that will change everything for the Mafia: He decides to meet with Judge Giovanni Falcone and betray the eternal vow he made to the Cosa Nostra.

Roman Polanski po več kot desetletju svoj pogled ponovno usmerja v preteklost in prikaže razplet enega največjih političnih škandalov v francoski zgodovini. Velika nagrada žirije v Benetkah.

5. januarja 1895 obetavnemu oficirju Alfredu Dreyfusu zaradi vohunjenja za Nemčijo odvzamejo vojaški čin, ga obsodijo na dosmrtno ječo in ga pošljejo na Hudičev otok. Njegovemu ponižanju je priča tudi Georges Picquart, novi vodja vojaške obveščevalne enote, ki je dokazala Dreyfusovo krivdo. Ko Picquart odkrije, da zaupne informacije še vedno uhajajo na nemško stran, se znajde v nevarnem labirintu prevar in korupcije, ki ogrožajo ne samo njegovo čast, temveč tudi njegovo življenje.

A period piece set in the fifties but seen through modern eyes, this irresistible “tropical melodrama” tells the story of an unbreakable bond between two Brazilian sisters. Winner of the Un Certain Regard Prize at Cannes.

Rio de Janeiro, 1950. Eurídice, 18, and Guida, 20, are two inseparable sisters living at home with their conservative parents. Although immersed in traditional life, each one nourishes a dream: Eurídice of becoming a renowned pianist, Guida of finding true love. In a dramatic turn, they are separated by their father and forced to live apart. They take control of their separate destinies, while never giving up hope of finding each other.

Vanesa Aibar is a rising young star of contemporary flamenco. Following in the footsteps of great innovators like Andrés Marín and Belén Maya, she likes to use flamenco as a starting point for venturing into modern or (Spanish) classical dancing. In her latest work, Sierpe (Serpent), Aibar goes in search of a new flamenco dance language through different representations of the serpent female/goddess created since ancient times. The serpent, an ambivalent symbol of new life, sensuality and resurrection, but also of vengefulness and destruction, makes its appearance in a refreshing flamenco incarnation in this new work by Vanesa Aibar, which received its world première at the Flamenco Biënnale Netherlands and now travels to Bi Flamenco for its Slovenian premiere.
 

Cast:
Viktoria Mirošnicenko (Ija), Vasilisa Pereljgina (Maša), Andrej Bikov (Nikolaj Ivanovic), Igor Širokov (Saša), Konstantin Balakirev (Stepan), Ksenia Kutepova (Saševa mama), Timofej Glazkov (Paška)
Awards:
Cannes 2019 – Un Certain Regard (Best Director, FIPRESCI Prize), Erevan/Yerevan (Second Best Feature)

An intimate drama about a close friendship between two young women trying to piece together the fragments of their lives in the aftermath of war.
1945, Leningrad. World War II has devastated the city, demolishing its buildings and leaving its citizens in tatters, physically and mentally. Although the siege - one of the worst in history - is finally over, life and death continue their battle in the wreckage that remains. Two young women, Iya and Masha, search for meaning and hope in the struggle to rebuild their lives amongst the ruins.

Cast:
Haru Kuroki (Noriko), Mikako Tabe (Michiko), Kirin Kiki (uciteljica/teacher Takeda), Mayu Tsuruta (Yukino), Shing Tsurumi (Norikin oce), Fuyuka Kooriyama (Norikina mama), Megumi Takizawa (Yumiko), Saya Kawamura (Sanae), Mizuki Yamashita (Hitomi), Chihiro Okamoto (Norikin brat)
Awards: Japanese Academy Awards (Best Actress, Best Supporting Actress)

A life-size human drama about a female college student, Noriko, finding in the Japanese art of tea ceremony a women's refuge, an immaculate sanctuary of calm and composure.

Nearing the end of university, Noriko is not having much luck finding either herself or a job when her mother suddenly suggests she study tea ceremony. Noriko is cool to the idea, but her cousin Michiko likes it and suggests they both go. Nearby lives Mrs Takeda, a tea ceremony teacher who, as people say, is not 'your ordinary old lady.' In the following years Noriko drifts from job to job, loses a boyfriend and then her father. The only constant in her life is the tea ceremony, in whose tightly prescribed movements and rhythms she eventually finds a unique sense of freedom.

A true story about a Mafia boss, Tommaso Buscetta, whose testimony at the largest anti-Mafia trial in history allowed the conviction of hundreds of mobsters.

In the early 1980’s, an all-out war rages between Sicilian mafia bosses over the heroin trade. Tommaso Buscetta, a made man, flees to hide out in Brazil. Back home, scores are being settled and Buscetta watches from afar as his sons and brother are killed in Palermo, knowing he may be next. Arrested and extradited to Italy by the Brazilian police, Buscetta makes a decision that will change everything for the Mafia: He decides to meet with Judge Giovanni Falcone and betray the eternal vow he made to the Cosa Nostra.

The main character is indeed a traitor from Cosa Nostra’s point of view, from the point of view of Mafia tradition, from the point of view of the past, and from the point of view of the family he belongs to. For Buscetta, betrayal is an extremely painful decision, but at the same time, it’s him rejecting a certain type of Mafia that made decisions he doesn’t agree with. But Buscetta is no hero; he’s a brave human being who wants to save his and his family’s skin, and he’s also quite conservative because he yearns for the type of Mafia that watched him grow up, which baptised him, so to speak.
Marco Bellocchio

Featuring a stellar cast, Hirokazu Kore-eda’s first non-Japanese language production addresses the issue whether lies are just as vital to personal happiness as the truth.
Fabienne is a star – a star of French cinema. She reigns amongst men who love and admire her. When she publishes her memoirs, her daughter Lumir returns from New York to Paris with her husband and young child. The reunion between mother and daughter will quickly turn to confrontation: truths will be told, accounts settled, loves and resentments confessed.
 

Lecture on the development of BCI devices and systems (Brain Computer Interface)
With the participation of: Dr. Maryam Alimardani, Francesco Fernandes, Erika Mondria, MSc, Michael Mondria