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* to 25 years and from 65 years

Silver Season

Lovro Pogorelić, piano

One of the most talented Croatian pianists, in Slovenia better known for his inspiring master classes, has recently been realising his great potential as a soloist. He has attained especial renown in France, where last year he released a recording featuring works by Rachmaninoff and Mussorgsky.

Programme
Johann S. Bach-Feruccio Busoni, Chaconne in D minor, BWV 1004
Robert Schumann, Symphonic Studies, Op. 13
*
Modest P. Mussorgsky, Pictures at an Exhibition

Lovro received his first piano lessons from his father, and later, at the age of twelve, studied with the Russian pianist and teacher Konstatin Bogino. At the age of thirteen, he gave his first piano recital, and two years later appeared as a soloist in the Schumann Piano Concerto. Having graduated from the Zagreb Music Academy, Pogorelić furthered his studies in Paris. In 1992, at the age of 22, he commanded the attention of critics at the Cannes International Festival of Classical Music, prompting them to comment: “Here is a unique artist who will, undoubtedly, divide opinions. Questionable for some. Fascinating for others. Interesting, in any case ...” Be it as it may, Pogorelić, who lives in Zagreb, has guest appeared at all major world concert platforms, from Tokyo to New York, and all European music centres. His introverted and concentrated approach is idiosyncratic, never is his playing an external display of wizardry. In 1999, he founded the Summer Festival in the island town of Pag, and continues to serve as its artistic director. He teaches piano at the Zagreb Music Academy.
In 2007, under Intrada, Pogorelić released a recording of Franz Liszt’s compositions, and in November 2008 a CD featuring Pictures at an Exhibition by Modest Mussorgsky and Preludes by Sergey Rachmaninoff.

... In 'Pictures at an Exhibition' Lovro Pogorelich's intention is less to grasp his audience than to guide them. Isn't this absence of violence closer to the spirit of the piece? Without a doubt, his expression well paused and measured, his vivacious harmonic intelligence ('Catacomb'), his manner of touching the keys and his sound inclined towards intimacy ('The old castle') captivate. Not forced, but richly coloured, his performance succedes, almost without noticing it, to evoke the orchestra. Nice work ...
Le monde de la musique, Paris, 2009

www.lovropogorelich.net



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9 Sep 2010
TODAY'S PROGRAMME
— —  
Foyer I

Art Critics’ Choice
Selector: Mario Berdič; artist: Borut Likar
19.30 
Gallus Hall

Giacomo Puccini: MANON LESCAUT
Lyrical drama in four acts
20.00 
Linhart Hall